Chris Brown is once again facing charges of (alleged) assault—this time in the form of a $50 million suit against the artist, members of his entourage, and tour promoter Live Nation from attendees of his recent concert in Forth Worth, TX. The suit alleges that four fans—Larry Parker, Joseph Lewis, Charles Bush, and Da Marcus Powell—were “brutally and severely” beaten while backstage. Who could have predicted that attending a show by a known abuser, one with a history of assault and violent physical altercations, could put you in a similar danger?

This feature was produced by Sandra Burciaga Olinger, and written by David Sosa

The suit, which was first reported by TMZ, was filed by attorney Tony Buzbee (he also represented the plaintiffs involved in the crowd crush incident at Astroworld) against Brown, Sinko Ceej, Omololu Akinlolu (a.k.a. Hood Boss), and Markies Conway (a.k.a. Yella Beezy). It claims that the concertgoers were invited backstage, where they waited for Brown’s arrival to offer their congratulations on the show. After a brief civil encounter, things turned violent when Seej recognized Bush, allegedly pointing out to Brown that the two used to have beef.

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According to legal documents obtained by Rolling Stone, it was at this point that the performer gave his crew permission to attack Bush. The victims claimed they tried to leave but were pursued by “seven to 10” of Brown’s entourage. Bush was then purportedly punched in the chest and had a chair thrown at his head by Hood Boss. Attention was then turned to one of the other men, with Brown ordering his group to attack Parker as well, chasing him to a stairwell with a locked door.

“Upon instruction by Brown, Parker was then punched in the face and chest, kicked in the head for over ten minutes, and stomped on by Defendant Brown and his associates,” the suit alleges. “Brown encouraged his companions to join in the assault simultaneously. Brown and his entourage then continued to beat Plaintiff Parker closed fisted for almost minutes [sic], repeatedly stomping on Defendant Parker’s head, kicking his face and ribs, and causing severe bodily injury.”

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The other two plaintiffs, Powell and Lewis, suffered punches to the shoulder and chest. All of them are still undergoing medical treatment for their injuries—apart from the $50 million in damages, they’re also seeking a temporary restraining order against Brown and the other assailants. “No should [sic] have to endure what these clients endured,” Buzbee shared in a statement with Variety. “We will seek the maximum amount of damages allowed by law for this egregious conduct.”

In addition to the four men, a security guard named Frederick Overpeck has filed a separate lawsuit, claiming that he was attacked by Brown and his entourage for trying to de-escalate. The suit states that he was met with a “brutal assault” that left him with a fractured neck. Overpeck’s suit is asking for $15 million in damages.




“So he doesn’t only assault women, but he assaults men too… *shocker*” X user @arianaunext reacted to the news. Others were more succinct in their responses: “violent trash,” was all @urdozenoppa had to say. Like many others, and the lawsuit itself, one Redditor commented on the clear pattern and frequency of Brown’s altercations: “Dude can’t go a day without assaulting.”

But, as has been the case throughout a career mired in controversy, Brown still has as many defenders as listeners and concert attendees. “They are always going after him,” @93dChristi9314 shared via X. When news of the lawsuit hit the Chris Brown subreddit, responses ranged from dismissive to skeptical: “this is just going to come out as fabricated nonsense like every other suit,” u/darkchiles replied.

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Yet that doesn’t change the fact that Brown does have an infamous history of perpetuating acts of violence, many of them against women: from the sickening 2009 assault on his then-girlfriend Rihanna and similar charges filed in 2016 by a former manager to the five-year restraining order that was granted to ex-girlfriend Karreuche Tran over threats. Yet despite it all, he remains a top-streamed and top-billed artist whose arena tours still lead to sold-out shows. Whether or not the fact that those attendees can find themselves in the crosshairs of his flights of rage will change those circumstances remains to be seen.

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