Opinion

Music festivals have never been riskier for ROI. If When We Were Young returns in 2027, expect a tighter, more calculated iteration, one shaped as much by economics and climate realities as by black skinny jeans and distortion pedals.

A personal take on what made Bad Bunny’s halftime performance more than music — a powerful message of love, identity, and belonging that resonated far beyond language — and how those powerlines symbolize problematic utility companies.